The Apostles desired that we would apprehend the truths of our faith together. They intended that the process of sanctification would be corporate. Through singing, we begin to enact this responsibility. Every verse is an articulation of truth, mediated through our fellowship with one another. Our choruses unite, and this is why we sing.  

However the history books record our age, there is one theme upon which every volume will agree. Without need for qualification or debate, each analyst will affirm: the present era signals the advent of individualism. Aided by a mirky river of other trends—consumerism, utilitarianism, moral relativism—the priority of the individual is a fact of our time, one which only the most myopic millennial would dare to deny. The injurious effects of such thinking are also a point of common agreement. Social commentators of every ideological persuasion readily note the need for corporate cohesion. We humans do better together. We must fight to reestablish an identity, around which we can congregate, so as to flourish.   

Notwithstanding a plethora of noble institutions, each playing their part to combat the juggernaut of individualism, the Christian’s primary point of community must be the church. For every believer, the present age of social dysfunction should serve as an emphatic exhortation toward membership, fellowship, accountability, and service in the local congregation. 

Beyond this initial observation, there are questions that might be asked. For the pastor, how should his philosophy of ministry adapt to account for the problems of the time? How could he orient the ministry rhythms of the church, to forge a defense against the tide of individualism? Moreover, how might he lead in offense, so as to render mute the plague of this era, and champion the cause of koinonia? My suggestion is simple—indeed, so basic that its inherent worth is often overlooked. Pertaining to the Lord’s Day, and the liturgical practices of each church, Christians must sing. With unprecedent vigor, every congregation should be led in song, lifting their voices in unison, so as to rehearse the doctrines of our faith.  

That singing would manifest a powerful assault to the enthronement of the individual is perhaps not self-evident. Every Sunday we sing hymns, because…that’s what we do. Christians have always sung. It’s right to worship God through music. Therefore, this Lord’s Day, let’s make music again. If we have never probed the conceptual premise of pairing voice and melody, its inherent worth may not be clear.

Aesthetics

First, regarding aesthetics, consider the relationship between truth, and beauty. As the history of philosophical thought has consistently affirmed, these transcendental qualities do not stray far from one another. Indeed, Keats contended for a conceptual unity when he wrote: “Beauty is truth, truth beauty.”¹ In all spheres of life, these two qualities go hand-in-hand.  

No meaningless abstraction, this relationship has practical implications, informing our behavior on a daily basis. As a general rule: when we perceive verity, we ascribe glory. And when we behold beauty, we apprehend truth. This is why, for example, we know better than to enter a court of law, wearing pajamas. Because the environment is one wherein truth is pursued, decorum and dignity are commended. Intuitively, we leave our flip-flops at home. Similarly, as we take in the majesty of the Alps, flippant comments are prohibited. The apprehension of great things commends the articulation of truth, and if not, then silence. Without being instructed, we understand what nature of speech is required.   

Consider now the act of singing on a Sunday morning. Certainly, it is possible to congregate and rehearse truths without melody. Indeed, corporate confessions have been part of the church’s liturgy for centuries. But they have never supplanted the singing of hymns. There is something intuitive about worship through music. The proclamation of truth in accordance with a melody is as natural to the Christian, as eating, sleeping, and breathing are to a new-born child. The reason for these issues is from the transcendental dynamic between truth and beauty. As the regenerate heart articulates divine indicatives, the irrepressible reflex is to ascribe to them value. The church seeks a tune. By appending a melody, Christians ordain the truth with beauty.  

For this reason, it would seem strange for the pastor to suggest, “let us stand, and speak these words together…Amazing grace, how can it be, that Thou, my God, shouldst die for me?” He knows better than to quash the impulse of our souls. The appropriate response is to ordain such truth with beauty. These words must be sung.  

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