Some argue that Moby Dick is Melville’s symbol of the incarnation of evil itself. Certainly this is the view of the whale held by Captain Ahab himself. Ahab is driven by a monomaniacal hatred for this creature, this brute that left him permanently damaged both in body and soul. He cries out, “He heaps me,” indicating the depth of the hatred and fury he feels toward this beast. Some have accepted Ahab’s view that the whale is a monstrous evil as that of Melville himself. Other scholars have been convinced that the whale is not a symbol of evil but the symbol of God Himself.

It seems that every time a writer picks up a pen or turns on his word processor to compose a literary work of fiction, deep in his bosom resides the hope that somehow he will create the Great American Novel. Too late. That feat has already been accomplished and is as far out of reach for new novelists as is Joe DiMaggio’s fifty-six-game hitting streak or Pete Rose’s record of cumulative career hits for a rookie baseball player. The Great American Novel was written more than a hundred and fifty years ago by Herman Melville. This novel, the one that has been unsurpassed by any other, is Moby Dick.

My personal copy of Moby Dick is a leather-bound collector’s edition produced by Easton Press under the rubric “The Hundred Greatest Books Ever Written.”

Note that the claim here is not that Moby Dick is one of the hundred greatest books written in English, but rather that it is one of the hundred greatest books written in any language.

Its greatness may be seen not in its sometimes cumbersome literary structure or its excursions into technicalia about the nature and function of whales (cetology). No, its greatness is found in its unparalleled theological symbolism. This symbolism is sprinkled abundantly throughout the novel, particularly in the identities of certain individuals who are assigned biblical names. Among the characters are Ahab, Ishmael, and Elijah, and the names Jeroboam and Rachel (“who was seeking her lost children”) are given to two of the ships in the story.

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