“Observing the narrative’s plot structure in this way helps us to avoid placing too much weight on unimportant details. For example, in Mark 2, we ought not make much (either interpretation or application) of the fact that Jesus saw the friends’ faith and thereby forgave the paralytic’s sins (Mark 2:5).”

I’ve spent a few weeks showing both why structure matters and how to observe it. My focus to this point has been on macro-structure—structure across entire books or large subdivisions—because that is the part I’ve seen most people neglect in their Bible study. And there is great value in doing this well.

In this post, however, I’ll narrow my focus to distinct episodes in a single genre: narrative. How do you observe the structure of a narrative scene? And how does that structure convey the author’s meaning?

What We Learned in Grade School

For years, I spent so much time trying to be ingenious when observing structure that I missed something I learned in grade school. And I’ve recently come to see that thing I missed as the most important tool for observing the structure of a narrative.

That tool is the essential plot structure that nearly all narratives follow.

Do you remember learning, in school, terms such as setting, conflict, climax, and resolution? Those are the building blocks of narrative plot structure.

• Setting (or Exposition) is what sets the scene for the action to take place. Setting can include an introduction of characters, a description of time or location, and even some basic action that sets up the body of the story.
• Conflict is the story’s heartbeat. Tension enters the story in the form of man vs. man, man vs. nature, man vs. society, man vs. technology, man vs. himself, or man vs. God.
• Rising Action narrates how the chief tension moves the story forward and builds through the episode.
• Climax is the point at which the conflict is dealt with or reversed in some way.
• Resolution (or Falling Action) describes the consequences of the climactic reversal.
• New Setting (or Denouement) is the situation in which the characters find themselves as a result of living through the conflict and its climax. This new setting often sets up the next episode.

With these building blocks, we can quickly outline nearly any narrative episode. (Exception: Sometimes a single episode serves no other purpose than to elaborate the setting or to introduce the book or subdivision. If there is no conflict and reversal, we’ll need other to use other tools to observe the structure.) And there might be some gray area as to where exactly the setting ends and conflict begins, or which precise statement constitutes the exact climax. But if we get ourselves in the right ballpark, we will do well.

Putting the Tool into Practice

Let’s outline the narrative in Mark 2:1-12 of the healing of the paralytic.

• Setting (Mark 2:1-5): Jesus teaches in Capernaum after some days. So many people listen to his teaching that a group of friends can’t get in the door. They open a hole in the roof, lower their friend, and Jesus forgives his sins. Someone could argue that the struggle to get into the crowded house introduces conflict (man vs. environment), but the fact that the story doesn’t climax with their entry to the house suggests Mark wants a different conflict to grab our attention.
• Conflict introduced (Mark 2:6-7): Scribes vs. Jesus. Scribes question Jesus in their hearts: God alone can forgive sins!
• Rising action (Mark 2:8-10): Jesus knows their thoughts, bluntly addresses them, asks a few questions, and reasons that though it would be easy to say “your sins are forgiven” (since you can’t see or touch the evidence to verify that forgiveness took place), it would be harder (i.e. more objectively falsifiable) to say “rise and walk.” Will he have the chutzpah to go there? Maybe he will! To make them know that the Son of Man has authority to forgive, he speaks…!
• Climax (Mark 2:11): “I say to you, rise, pick up your bed, and go home.” The point of conflict was whether Jesus had authority to do what he had done. He now puts that claim of authority on the line by doing that which is more objectively falsifiable.
• Resolution (Mark 2:12a): The paralyzed man immediately rises, picks up his bed, and walks out in plain view of all. The proof is presented; the gauntlet has been thrown down.
• New setting (Mark 2:12b): All are now amazed and glorifying God, as they’ve now seen something they’ve never seen before: A man with divine authority to forgive sins.

Let me give another example from Exodus 13:17-14:31, the crossing of the Red Sea.

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