For the past several decades, conservative Christians adopted the parasitic approach, convincing themselves that overtaking secular nests and repurposing them in a “Christian” style was somehow more virtuous than actually making something new.
The Lutheran Satirist provides an answer:
Granted, the liberal social justice warriors were not the only ones to inherit the “take, don’t make” mentality. For the past several decades, conservative Christians adopted the parasitic approach, convincing themselves that overtaking secular nests and repurposing them in a “Christian” style was somehow more virtuous than actually making something new.
Having embraced the same mindset as many secular counterparts, Christian parents convinced themselves that creating their own unique faith-driven stories or storytelling genres, like Dante and Milton and Bunyan and Wallace and Lewis and Tolkien had done, would have been too much work and required capital and capabilities they didn’t have, so they churchified the Saturday morning cartoon nest by showing their kids videos of a talking cucumber lecturing them about honesty and fairness with a Bible verse or two thrown in at the end. They swapped out Batman episodes with the adventures of Bibleman and praised themselves for their faithfulness. They put the “Facing the Giants” DVD in the “Remember the Titans” case. They justified all of this thinking rebuilding secular nests with Christian garbage was best for their children.
Likewise, with regard to music, furthering the tradition of legendary Christian hymnists and composers like Paul Gerhardt and Johann Sebastian Bach would have required a skillset these modern Christians were neither taught nor willing to learn, and finding their own voice would have proven just as difficult.
But three chords and pop song structure were pretty easy to imitate, so when they saw their children listening to music that glorified premarital sex and drug use, they parasitically strapped on guitars, infested the pre-existing nest of secular music, and produced awful Christian rockers, embarrassing Christian rappers, and an endless array of Top-40-sounding Christian artists ranging from bad Belinda Carlisle knockoffs to somehow-worse-than-actual-Richard-Marx Richard Marx knockoffs.
The results, however, were disastrous—not just because, in seeking to make Christianity better, they only made rock and roll worse, but also because they rendered us, their children, incapable of knowing any better. Because they settled for secular copycats, they never exposed us to Christendom’s great music, literature, artwork, and architecture. Because of this, we’ve become a bunch of musically illiterate, artistically impoverished believers with no appreciation for beauty who are perfectly content to spend Sunday mornings singing terrible music in repurposed movie theaters or gymnasiums, aspiring to nothing more because it’s never even occurred to us that the Christian faith gives us the power to form culture instead of parodying it.
By trying to safely place us into those pre-built but repurposed nests, our parents only succeeded in obligating us to the parasitic tradition. We’re already passing down that tradition to our offspring, and until we learn to stop believing the lie that taking is greater than making, I fear we’ll never recover the ability to create.
D.G. Hart is Visiting Professor of History at Hillsdale College in Michigan, and also serves as an elder for a new Orthodox Presbyterian Church in Hillsdale. This article first appeared on his blog and is used with permission.