The LGBT culture is alive and flourishing within Disney. During a recent virtual meeting, a group of Disney filmmakers together with employees said they have been given the freedom to add “queerness” and LGBT characters to children’s programming, but they believe a lot more needs to be done. Such was expressed during an “all-hands” meeting following controversy regarding Florida’s parental rights bill that prohibits classroom teaching about sexual orientation and gender identity in kindergarten through third grade.
“M. I. C. K. E. Y, M. O. U. S. E! Mickey Mouse, Donald Duck! Mickey Mouse, Donald Duck! …” Many of us remember this sing-along song that opened the Mickey Mouse Club program when as children we were enjoying the biggest name in entertainment. That, of course, was the wonderful world of DISNEY. At one time, Walt Disney’s family-oriented programming was enjoyed by almost everyone, adults and children alike. However, times have changed and so has Disney, so much so that ole Walt is probably “turning over in his grave”. Disney now promotes the progressive anti-family and anti-Christian LGBTQ woke culture that the founders of BLM intended for the destruction of the nuclear family.
Chances are that if you want to watch a good movie, sporting event, or have your child watch an animated cartoon program, more than likely it will be connected to the vast empire that Disney has become, owning a good portion of the television and entertainment world. Just three years ago Disney, for $73.1 billion, bought the film and TV assets that were held by 21st Century Fox, marking the transaction one of the largest media mergers in history.
The above is just for starters. Add to that the list of Disney-owned companies and you begin to get a sense of just how big Disney really is. That list includes ABC, ESPN, Touchstone Pictures, Marvel, Lucasfilm, A&E, The History Channel, Lifetime, Pixar, Hollywood Records, Vice Media, and Core Publishing among many others.
Included are recognizable brands and film franchises as the following: Star Wars, The Muppets, The Marvel Cinematic Universe (but not the X-Men – yet!), Disney Princesses/Princes (such as characters from Cinderella, Mulan, Frozen, Aladdin, and The Lion King), The Chronicles of Narnia Franchise, The Pirates of the Caribbean Franchise, Pixar Films, (such as Toy Story, The Incredibles, and Cars), The Winnie the Pooh Franchise, The Indiana Jones Franchise, Grey’s Anatomy and other popular ABC shows.
The LGBT culture is alive and flourishing within Disney. During a recent virtual meeting, a group of Disney filmmakers together with employees said they have been given the freedom to add “queerness” and LGBT characters to children’s programming, but they believe a lot more needs to be done. Such was expressed during an “all-hands” meeting following controversy regarding Florida’s parental rights bill that prohibits classroom teaching about sexual orientation and gender identity in kindergarten through third grade. Florida’s Governor Ron DeSantis has signed the bill into law.
In a series of videos released by journalist Christopher F. Rufo, a fellow at the Manhattan Institute, Disney executive Karey Burke told attendees of the meeting that she is the “mother of two queer children – one transgender child, and one pangender child”. Wanting to see more LGBT characters in Disney programs, she states, “We have many, many, many LGBTQIA characters in our stories, and yet we don’t have enough leads and narratives in which gay characters just get to be characters and not have to be about gay stories.” Rufo, in a tweet, said that Burke added in the video that she wanted a minimum of 50 percent of characters to be LGBTQIA and racial minorities.
Latoya Raveneau, directing two episodes of The Proud Family on Disney Plus, reports she previously had heard “whispers” – when she worked for other studios – that Disney does not allow LGBT characters in its programs. But she said that’s not the case. The Proud Family includes a same sex married couple. She says, “My experience was bafflingly the opposite of what I had heard, and the showrunners were super welcoming of LGBT characters.” She further states, “Our leadership over there has been so welcoming to my not-at-all secret gay agenda…I don’t have to be afraid to, like, let’s have these two characters kiss in the background. I was just, wherever I could, just basically adding queerness [to projects].”
Another Disney production coordinator, Allen Martsch, discussed adding LGBT content to the upcoming Disney series, Marvel’s Moon Girl and Devil Dinosaur. Martsch applauds Disney saying, “They’ve been really open to exploring queer stories, …we take place in modern-day New York – so making sure that that’s an accurate reflection of New York. So I put together a tracker of our background characters to make sure that we have like the full breadth of expression.”
He concludes by saying, “…It’s not just about a numbers game of how many LGBTQ-plus characters you have,…The more centered a story is on a character, the more nuanced you get to get into their story. And especially with trans characters, you can’t see if anyone is trans – there’s not one way to look trans. And so kind of the only way to have these canonical trans characters, canonical asexual characters, canonical bisexual characters, is to give them stories where they can be their whole selves.”
Yes, Disney holds great power to persuade children and adults into believing it is kind and loving to accept this perverted worldview. Add to this the promotion of the LGBTQ lifestyles by politicians and lobbyists, then a sense of the battle takes on a greater sense of urgency. And it gets more complicated when the President of the United States aids and abets the issue. Just recently some observed a Transgender Day of Visibility and President Biden has declared his support of children and adolescents with gender dysphoria to undergo body mutilating surgeries or use puberty blockers and cross-sex hormones to look more like the opposite sex despite unknowns about the long-term side effects.
Standing in opposition to the above procedures the American College of Pediatricians said, “There is not a single long-term study to demonstrate the safety or efficacy of puberty blockers, cross-sex hormones and surgeries for transgender believing youth,”… ” This means that youth transition is experimental and therefore, parents cannot provide informed consent, nor can minors provide assent for these interventions. Moreover, the best long-term evidence we have among adults shows that medical intervention fails to reduce suicide.”
Also, on their website, acpeds.org has a page stating that “Transgender Interventions Harm Children” and that puberty blockers may cause both mental illness and permanent physical harm adding that such is not only experimental but dangerous.
Besides Disney, now Apple is lending its strength to opposing gender legislation. That makes two very powerful entities. According to an article in Politico, Apple’s communications, government affairs and legal offices are working with policymakers and advocacy groups to plot out strategies in filing court briefs in cases involving LGBTQ “rights.”
Fred Sainz, their senior of corporate communications, recently pressed leaders of fellow Fortune 500 companies to denounce an order by the Texas governor that called for child abuse investigations of parents who provide transgender children with “gender-affirming” procedures despite opposition from doctors. Sainz asked these leaders to lend their company’s name to the issue because Apple will lend its name and logo to fight for LGBTQ rights. All Americans will be affected by decisions made by Disney and Apple.
Note: I believe it is important to distinguish some terms. The so-called “anti-LGBTQ” laws are not against the 1% of the population who identify as transgender or the 3% who identify as homosexual (percentages according to the YouGov poll released in March). Instead these laws should rightly be termed parental rights legislation or child protection laws to protect the vulnerable from possible lifelong harm.
What is a parent to do? What is a Christian to do? How are parents to handle the area of children’s programs and entertainment? How do we respond? Boycott Disney? Throw away your Apple phone? Good luck with that! Even if that were possible, the extensive effects of Disney influence are worldwide. I think it is safe to say that one thing Americans will not give up is their freedom to be entertained. I’m probably including myself. I love sports. Many people do and to give that up would be a challenge. “Don’t mess with my entertainment” might be the prevailing attitude.
I remember reading about the contrast between Christians in the Soviet Union under Khrushchev and Christians in America during the same time period. The difference was Christians under Khrushchev were tested by persecution while Christians in America were tested by their freedoms. Can it be said that our freedoms have blinded us and are holding us hostage, preventing us from bringing every thought captive to the word of God and keeping us from seeing the threat at our doorsteps? Some say that only time will tell, but I believe time is already telling! Let’s open our eyes and be accountable to truth. Let’s seek to be transformed by the renewing of our minds in the Word of God instead of being conformed to the world system and its culture.
Clete Hux is Director of the Apologetics Resource Center headquartered in Birmingham, Alabama. A Teaching Elder in the PCA, he has pastored churches in Alabama and South Carolina.
Subscribe to Free “Top 10 Stories” Email
Get the top 10 stories from The Aquila Report in your inbox every Tuesday morning.