‌As you continue to pursue holiness and Christlikeness, don’t simply strive to acquire theological knowledge alone, but let your love abound more and more, with knowledge and discernment, so that you may approve what is excellent, and so be pure and blameless for the day of Christ, filled with the fruit of righteousness that comes through Jesus Christ, to the glory and praise of God.

One of the last short stories C. S. Lewis wrote was a revision of one of his first stories. It was a short story he called, “Light.” In the story a man named Robin, who was born blind, has recently had his sight restored through surgery. Robin finds himself quite disappointed with his restored sight, however, because he really wants to see that thing called “light” that he has heard so much about, and yet, while his wife and others insist that light is all around him, he can’t see light. Weeks of being able to see but not being able to see light leads Robin to despair and ultimately death. Of course, Robin’s problem, and even the problem of his wife and others who could not manage to help him, was that light is not something we see; light is something by which we see.

Lewis’s story is ultimately about the nature of human knowing, but it also illustrates well, I think, how we often approach the subject of beauty. In our post-Enlightenment era, beauty is something we look at; it is a subject we talk about; it is, perhaps, something we ought to learn to appreciate and enjoy.

However, as with light in Lewis’s story, beauty is not merely something to think about, to look at, and to simply recognize or even delight in, but rather beauty is what we come to know God and his world through. Or, to put it another way, beauty is not simply a category that stands alongside truth and goodness; rather, beauty is the means through which we come to really know what is true and good.

Transcendent Beauty

One of the most important, foundational principles of a robustly Christian philosophy is affirmation of absolute truth, goodness, and beauty and the fundamental part each of these principles play in truly knowing God and his world.

Belief in transcendent principles is rooted in a conviction that God is the source, sustainer, and end of all things. The Bible clearly proclaims that God is self-existent and self-sustaining, and all things come from him (Rom. 11:36). Everything that is true is so because God is Truth. Everything that is good is so because God is Good. And everything that is beautiful is so because God is Beauty. There are no such things as brute facts apart from God; they are facts because God determined them to be so. There are no such things as moral standards that are merely conceived out of convention apart from God; actions are moral or immoral because God says they are. And in the same way, beauty is not in the eye of the beholder; something is beautiful when it reflects God who is Beauty.

With this in mind, Christians as image-bearers of God must be committed to thinking God’s thoughts after him, to behaving in certain ways that conform to God’s moral will, and to loving those things that God calls lovely. Thoroughly Christian living is therefore concerned with orthodoxy—right belief, orthopraxy—right behavior, and orthopathy—right loves.

And yet the realm of orthopathy—right loving—is often missing from even the most theologically robust churches. We are all about rigorous theology, and we recognize our goal of cultivating thoroughly Christian values in every area of life, but do we recognize beauty as the essential means through which this will happen?

The Aesthetics of Scripture

The primary, fundamental reason we ought to recognize the significance of beauty as a central means through which our loves are shaped and through which we really come to know God and his world is that the Bible itself is God’s truth communicated in beautiful forms. God’s Word is “more than divine data.”¹ Instead, God’s revelation of truth and goodness comes to us in various aesthetic forms such as “narratives, proverbs, poems, hymns, and oratory whose artistic tools include allegory, metaphor, symbolism, satire, and irony.”²

These aesthetic forms are essential to the truth itself since God’s inspired Word is exactly the best way that truth could be presented. Clyde S. Kilby observes, “The Bible comes to us in an artistic form which is often sublime, rather than as a document of practical, expository prose, strict in outline like a textbook.” He asserts that these aesthetic forms are not merely decorative but part of the essential presentation of the Bible’s truth: “We do not have truth and beauty, or truth decorated with beauty, or truth illustrated by the beautiful phrase, or truth in a ‘beautiful setting.’ Truth and beauty are in the Scriptures, as indeed they must always be, an inseparable unity.”³

To put it another way—truth, goodness, and beauty, are three strands of a single cord that cannot be separated if we desire to truly know God and his world.

I am afraid that most Christians do not recognize this, and this is evidenced at very least by the fact that many Christians are afraid to affirm and defend absolute beauty in the same way we do absolute truth and morality. We have bought into the modernist idea that beauty is in the eye of the beholder, and the postmodern multicultural agenda that argues art is merely neutral contextualization of a given civilization. We still view beauty and the arts as means to the end of making truth interesting instead of as ends in themselves. We view beauty as something to see rather than something by which we see.

Looking Through

I phrase it that way specifically because again, often when we consider aesthetics, it becomes something we talk about and think about. Talking about, thinking about, and looking at beauty are all good as far as they go, but what I am calling the tools of loving—that which shapes our loves and cultivates virtue in us—is not something to look at but rather what we see through.

Read More