Hillsong United is among the most deceitful and subversive worship music movements. Hillsong music is popular, and is played throughout even some of the most theologically solid churches, deceptively luring people away from doctrinal truth and into an experiential form of idolatry that removes Jesus as the sole object of worship, and places the emphasis on ear-tickling lyrics and music that draws on people’s emotions.
It’s never-ending. The apostasy, the lack of discernment, the gullibility. How can anyone who proclaims the name of Jesus Christ not recognize the dismal state of the professing church? Words cannot even begin to describe the how far away the church is from Christ in these days. The attractions, the concerts, the conferences. People joining hands with those teaching for shameful gain things they ought not to teach. This is not revival, but the falling away in its most deceptive and extreme form–a form of godliness that denies its power.
Tickets go on sale in May for Outcry Tour 2016. The music festival will be held in several cities around the nation, and features some of the most lauded names in “worship.” The groups include Hillsong, Kari Jobe, Rend Collective, Housefires, Urban Rescue, Chad Veach, and none other than Elevation Worship.
Now, I’m not exactly sure who these people are worshiping, but it isn’t Jesus. Yet, thousands of Christians are blindly sending their children to partake in this evil.
In the Charismatic Evangelical church, there is a movement known as the New Apostolic Reformation (NAR). It is a movement that elevates experience above doctrinal truth. Often times you will see many with contradictory beliefs about the basic tenets of Christianity come together in prayer and worship. This is the driving force behind this modern worship scene that’s creeping into once solid churches.
Hillsong United is among the most deceitful and subversive worship music movements. Hillsong music is popular, and is played throughout even some of the most theologically solid churches, deceptively luring people away from doctrinal truth and into an experiential form of idolatry that removes Jesus as the sole object of worship, and places the emphasis on ear-tickling lyrics and music that draws on people’s emotions. Read more about them here.
But another of Outcry’s featured singers, Kari Jobe, is also a popular musician being promoted in churches, especially to our youth. Jobe, out of seeker-sensitive NAR Robert Morris’ Gateway church, is known for popular songs like I Am Not Alone, and Love Came Down. She is also under the leadership of Gateway’s NAR Apostle and elder, Jack Hayford, author of the song Majesty, which teaches the heretical “Kingdom Now” theology. However, she is one of those who are teaching for shameful gain things she ought not to teach (Titus 1:11).
One of her most popular songs, Forever, published by Bethel Music (the same outfit that produced Jesus Culture), contains some really aberrant theology. Besides the fact that she’s a female pastor in a church, her theology alone should be enough to disqualify her as a teacher. Below is a sample of her lyrics:
One final breath He gave
As heaven looked away
The Son of God was laid in darkness
A battle in the grave
The war on death was waged
The power of hell forever broken
Then, In an interview about her song, Forever, she said,
My favorite part of the whole thing is … we talk about the death on the cross and we talk about the resurrection, but that time in between was when Jesus was in hell rendering hell. And ransacking hell. And defeating the enemy – taking those keys to death and hell and the grave to be victorious over that when he rose from the dead.
Of course, we can pick apart almost any song, even some of the best traditional hymns. But the serious error here is that she is teaching a heresy that strikes at the heart of Christian theology, which is the death, burial and resurrection of Jesus Christ. She gets a pass, though, you know, because “artistic license and stuff.”