“I and others have emphasized the contrast between Ben Franklin’s self-professed Deism and his longtime friendship with the Calvinist evangelist George Whitefield, but Lepore convinced me that his sister’s influence likely had an even stronger tethering effect connecting Ben to the faith of his childhood.”
In my Baylor graduate seminar on the American Revolution, we recently read Jill Lepore’s marvelous Book of Ages: The Life and Opinions of Jane Franklin. She details Ben and Jane Franklin’s lengthy correspondence, pondering the ways in which the circumstances of history allowed the bright boy Ben to pursue fame and scientific knowledge, while Jane married at fifteen and lived a family life that was rich in relationships but also full of strife and struggle. (Many children and grandchildren preceded her in death, and her husband was constantly in debt – any knock on the door might be a collection officer come to take more household items, or to take him to to debtors’ prison.)
Harvard’s Lepore is one of the finest prose stylists among American historians today, and this is a book that you can’t skim even if you want to. Although I did not care much for the tone of Lepore’s polemical The Whites of their Eyes, which I reviewed at Patheos, here Lepore is back to what she does best: painting vivid pictures of lives and conflicts in the past, and raising provocative issues about the meaning and methods of history. In the case of Jane Franklin, she confronts the perennial question of why most people – especially women and the poor – never get mentioned in history, while the Ben Franklins of the world get innumerable books written about them. The most obvious answer is sources, and Lepore goes to great lengths to show why so many of Jane’s letters – even ones written to Ben – did not survive, while Ben’s did.
Yet in many ways, Jane’s life, not Ben’s, was representative of the age. Ben presented himself as the American everyman in his autobiography, but Jane was, as Lepore puts it, “everyone else.” If I have a criticism of the book, it is that Lepore may downplay an aspect of Jane’s life that made her so representative: her Christian, and especially Calvinist convictions.